Arts & Culture

All Arts & Culture

  • Scrolls and scrolling

    Students in two spring courses combined library and museum visits with digital tools to produce exhibits about the Middle Ages — one in Houghton Library and the other online.

  • Winning night for A.R.T.

    Two shows with ties to Harvard won Tony Awards and kept the American Repertory Theater’s winning streak alive.

  • High-stepping through life

    Rossi Lamont Walter Jr. ’14 graduates with a passion for dance, the history of science, and Jewish culture. He plans to help others see and develop their strengths.

  • A giant jewel box, lit by the sky

    The Harvard Art Museums will open its greatly expanded and renovated home this fall, aligning the Fogg, Sackler, and Busch-Reisinger museums under a massive glass roof.

  • Summertime, and the reading is easy

    A look at what Harvard faculty members will be reading in their downtime this summer.

  • On a date, with everyone

    Artist creates wide-open Web programs to gain personal insights.

  • A light touch for Rothko murals

    Abstract artist Mark Rothko’s series of Harvard murals will be displayed in November using a digital technology that casts light on the paintings to restore their faded colors.

  • ‘The Kid Who Would Be Pope’

    Harvard’s Office for the Arts Director Jack Megan isn’t just a supporter of artistic talent, he’s a talented artist himself. Megan and his brother Tom co-wrote the musical “The Kid Who Would Be Pope,” which won the Richard Rodgers Award for emerging theatrical talent and is having a stage reading off-Broadway.

  • 32 Greek plays, no waiting

    Radcliffe Fellow and director Sean Graney has adapted 32 surviving Greek tragedies into one theatrical event that he hopes will start a conversation.

  • Like magic, Teller speaks

    Magician Teller and director and playwright Aaron Posner have teamed up to create a magic-inspired version of William Shakespeare’s “The Tempest” in an American Repertory Theater production that features music by Tom Waits and choreography by Pilobolus.

  • Artful balance

    Carolyn Christov-Bakargiev spoke at Harvard about her work with exhibit “dOCUMENTA (13,” launching a new annual program on curatorial practice.

  • From Atwood, wisdom and a bit of wickedness

    The Harvard Arts Medal ceremony kicked off this year’s Arts First festival, with Margaret Atwood receiving the award.

  • Given to composition

    Novelist and essayist Jamaica Kincaid was among the participants in a panel on the first day of Harvard LitFest, which continues through Thursday .

  • Paulus is among Time 100

    Time magazine has named American Repertory Theater Artistic Director Diane Paulus to the 2014 Time 100, its annual list of the 100 most influential people in the world.

  • Spielberg on Spielberg

    Oscar-winning filmmaker Steven Spielberg visited Harvard Tuesday and discussed his long and successful career as part of the Mahindra Humanities Center’s Rita E. Hauser Forum for the Arts.

  • For writers and students, a break from solitude

    Writers in the Parlor connects accomplished novelists and story writers with students.

  • There be monsters

    Surekha Davies, assistant professor of history at Western Connecticut State University, spoke Thursday evening at the Harvard Science Center about how scholarly texts and the work of cartographers helped to mold the perceived boundaries between humans, monsters, and animals.

  • Deep into a bloody history

    A Cambodian filmmaker, now a Scholar at Risk at Harvard, looks back at “Enemies of the People,” his documentary on Cambodia’s killing fields of 1975-79.

  • ‘The Temptation of Despair’

    In a book event this week, Werner Sollors talked about the tumult of physical and spiritual survival amid the ruins of post-WWII Germany.

  • Art for viewers’ sake

    At the Harvard Art Museums, a long-hidden mural is both an example of the true fresco technique and a dramatic reflection of the times. It will be on permanent display when the museums reopen this fall.

  • Megan Marshall ’77 wins Pulitzer

    Megan Marshall ’77 was awarded a Pulitzer Prize for “Margaret Fuller: A New American Life” (Houghton Mifflin Harcourt 2013), her richly detailed biography of the 19th-century author, journalist, and women’s rights advocate who perished in a shipwreck off New York’s Fire Island.

  • Africa’s love supreme

    On Friday, a Harvard religious studies group — the only one to focus on faith traditions from the African diaspora — hosts a conference to investigate the varieties of love: devotion, intimacy, and ecstasy.

  • Papyrus fragment put to test

    A wide range of scientific testing indicates that a papyrus fragment containing the words “Jesus said to them, my wife” is an ancient document, dating between the sixth to ninth centuries C.E. Its contents may originally have been composed as early as the second to fourth centuries.

  • Trials of empathy

    Empathy, Rowan Williams argued in his first Tanner Lecture, is a tool for seeing the self.

  • Beneath the ‘Surface’

    Keynote speaker Professor Giuliana Bruno will launch the Harvard Film and Visual Studies Department’s inaugural graduate conference, April 10-12 at the Carpenter Center, with a discussion of her new book, “Surface: Matters of Aesthetics, Materiality, and Media.”

  • Virtues of doom

    Shakespeare scholar Stephen Greenblatt addressed the comforts of tragedy at the Cambridge Public Library.

  • Lessons, warnings in a centuries-old peace

    Historians will gather at Harvard on April 11 to mark the 200th anniversary of the Congress of Vienna.

  • Breaking down ‘Bad’

    “Breaking Bad” creator Vince Gilligan spoke with Harvard President Drew Faust about the origins and evolution of the show.

  • Family ties with a Disney twist

    Pulitzer Prize-winning journalist and Harvard fellow Ron Suskind talks about connecting with his autistic son through Disney films.

  • Reality, fiction in Italy’s empire

    GSAS doctoral students create an exhibit to feature personal albums, photographs, postcards, and maps from Harvard’s rich trove of 20th-century propaganda related to Italy’s late participation in the colonial “scramble for Africa.”