Arts & Culture

Noted Spanish-language poets are visiting Harvard this week in a first-of-its-kind event that pairs the poets and their works with top translators in the field.

What’s behind the fascination with horror? A number of Harvard experts recently offered their insight into the genre’s powerful lure.

The Digital Public Library of America, with Harvard in its heritage, celebrates its first six months with an idea conference in Boston.

It is the 50th anniversary of “Dead Birds,” the groundbreaking documentary of a Stone Age tribe that survived into the 20th century. Its creator was Robert Gardner, longtime director of the Film Study Center.

Academy Award-winning director Ang Lee took part in a wide-ranging Harvard discussion about his work, his collaborations, and his future plans.

A panel discussion introduced an exhibit of photos from the Paris World’s Fair of 1900 that shows African-Americans as they wished to be depicted, not as a discriminatory American society would have had them be.

Houghton Library and Harvard University Press are two of the leading partners in the new Emily Dickinson Archive, a joint venture with other institutions that brings together most of her poem manuscripts.

French Egyptologist Alain Zivie, a visiting scholar at the Semitic Museum, told a Harvard audience of his discovery of the tomb of Thutmose, who he believes is the artist who created the iconic bust of Queen Nefertiti.

Avant-garde visual artist Robert Wilson delivered a talk at the Graduate School of Design, and jarred his audience into new imaginative spaces.

At month’s end, Professor Elisa New will begin teaching “Poetry in America,” her first digital course on HarvardX.

A Harvard student who is interested in a career in archaeology spent her summer on a Peruvian dig, with lots of mundane work and a bright discovery to show for it.

We get close to long-dead great writers by reading the works they left behind. But there is another way, which can be just as electric and emotional: to see or touch or just be near artifacts from their writing lives.

The Graduate School of Design hosted a conference on the history of Korean architecture, which still lingers in the shadow of Japanese modernism.

The six medalists at the W.E.B. Du Bois awards included a White House adviser Valerie Jarrett, playwright Tony Kushner, U.S. Rep. John Lewis, Associate Justice of the U.S. Supreme Court Sonia Sotomayor, the commissioner of the NBA David Stern, and Hollywood director Steven Spielberg.

Jazz trumpeter and composer Wynton Marsalis and his Jazz at Lincoln Center Orchestra treated a Sanders Theatre audience to a master class Thursday evening that re-created a pivotal quarter century of jazz innovation.

The Office for the Arts’ Ceramics Program, one of Harvard’s longest and most celebrated, moved this month from its home of 26 years at 219 Western Ave. in Allston just a few blocks down to 224.

From a world premiere musical about U.S. aid work in Africa to a girl struggling to cope with her dysfunctional family, the American Repertory Theater’s lineup for this season revolves around the theme of justice.

In the inaugural lecture of a series organized by Harvard’s Digital Futures consortium, data-publishing entrepreneur Eric Kansa lays out a case for archaeology to “get on the map” of disciplines sharing data widely on the Web.

With the discovery of a poem missing for 300 years, two Harvard graduate students have filled in some missing blanks on Benjamin Larnell, the last student of the colonial era associated with Harvard’s Indian College.

Harvard Art Museums officials offered an early look at the progress of the renovation and expansion project that will unite the Fogg, Busch-Reisinger, and Sackler museums under one roof.

Club Passim remains a vital part of the Harvard Square scene, as well as a venue that has attracted Harvard students for decades.

In her latest work, “Book of Ages: The Life and Opinions of Jane Franklin,” Jill Lepore, a professor of U.S. history at Harvard and a staff writer for The New Yorker, brings Benjamin Franklin’s sister out of history’s fog and into the open.

Following tradition, Harvard’s Department of Visual and Environmental Studies is hosting visiting faculty, six artists this year. Talks have been scheduled through November. The opening reception is Sept. 12.

Wynton Marsalis will continue his lecture series this month, featuring the Jazz at Lincoln Center Orchestra at Sanders Theatre on Sept. 26.

Award-winning director Bill Rauch ’84 has returned to Harvard to present the play “All the Way,” a powerful examination of President Lyndon B. Johnson, civil rights leader Martin Luther King Jr., and the critical events leading up to the passage of the Voting Rights Act of 1964. The show will open the American Repertory Theater’s season.

Two Harvard undergrad spent the summer at Widener Library working with a newly acquired collection of zines, the self-published, self-distributed counterculture voices of the 1980s and early ’90s.

Harvard Summer School is big, young, diverse, and challenging — qualities summed up nicely by a course on food, gender, and American culture.

The strikingly modernist Carpenter Center, which turned 50 this year, was Le Corbusier’s only building in North America and was the last major project of his life. This video explores the building’s color palette.

The Nieman Foundation’s first e-book explores the history, mystery, and magic of the gates surrounding Harvard Yard.

The Harvard Law School Library has digitized law student notebooks from 200 years ago, giving online readers a glimpse at legal education in the young United States.