Arts & Culture
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When to quit a book
Some give up without guilt while others insist going cover to cover. Harvard readers share their criteria.
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Lace up gloves, enter ring, and write
Novelist and boxer Laura van den Berg says the two practices have a lot in common
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Unearthed papyrus contains lost scenes from Euripides’ plays
Alums help identify, decipher ‘one of the most significant new finds in Greek literature in this century’
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A photographer who makes historical subjects dance
Wendel White manifests the impetus behind his new monograph during Harvard talk
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LeVar Burton got his Du Bois Medal, and the crowd couldn’t resist
‘Reading Rainbow’ theme breaks out at ceremony honoring Black luminaries — including trailblazers in sports, arts, politics, and more
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When the act of writing itself is part of the art
Calligrapher Wang Dongling creates piece with ‘chaotic script’ before Harvard Art Museums audience
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Everyone calls it a classic. But who’s everyone, and why am I so bored?
Scholarly wisdom for readers beating their heads against a great work of literature: Stop doing that
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‘Funny … frivolous … serious’
Music and comedy meet queer and Jewish radicalism in Morgan Bassichis exhibit at the Carpenter Center.
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A people’s history of Cambridge
In “The Streets of Newtowne: A Story of Cambridge, MA.” professor tells the story of city from Indigenous origins to present in children’s book illustrated by alum.
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Reinspired by true events
Tiya Miles’ research on Cherokee slaveholding sparked her first novel. A recent tribal reckoning led her to revisit it.
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Reflections as hip-hop turns 50
Emmett G. Price III examines genre’s history, staying power — and “intentionality” of recognition in recent years from elite cultural institutions.
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Beyond the ballgown
Sammi Cannold discusses her vision for the iconic musical as she introduces “Evita” to a new generation of artists and audiences at the American Repertory Theater.
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Staging the ‘unstageable’
YouTube star, student, and a ghost called Swan collide in junior’s award-winning play exploring queerness, self-discovery.
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American stories in watercolor
Exhibit goes beyond idyllic landscapes to cramped apartment, 19th-century wardrobe malfunction, cancer-defying self-portraits.
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‘As though somebody had taken a piece of your soul, created it into an object …’
Poetry critic reflects on “thrilling” career, writers who inspire, declining support for humanities.
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Frederick Douglass as 19th-century influencer
A Wadsworth Atheneum show, curated by Sarah Elizabeth Lewis and Skip Gates, explores Douglass’ embrace of the emerging art of photography.
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Susan Suleiman reflects on resilience, girlhood, and identity in memoir
Emerita professor recalls childhood as Holocaust refugee in memoir “Daughter of History.”
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Jorie Graham confronts past, present, and future
“Mortality got my attention. And it was — as we are told to believe but rarely do — a gift,” says the acclaimed poet, whose latest collection, “To 2040,” looks at the many crises shadowing what she calls “the human project.”
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Arts First sets the stage for spring
Arts First took over stages, museums, and other venues across Harvard’s campus during the four-day festival.
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Changing face of Shehuo festival
Photographer Zhang Xiao documented the Shehuo festival over a decade of modernization, creating a portrait of how traditional practices sustain themselves amid rapid change. The new bilingual photographic exhibition “Shehuo: Community Fire” is at the Peabody Museum of Archaeology & Ethnology.
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Turning debris into haute couture
“Marine Debris Fashion Show,” a student design competition featuring outfits made from items humans dumped in oceans, was a highlight of the Arts First Festival.
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City of poets
Eight student poets pick a corner of the city with historical, personal meaning and read an original work.
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What happens when computers take on one of ‘most human’ art forms?
New play to debut at Arts First Festival examines relationship between technology, humanity, and theater.
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Merging sculpture, technology
Sculpture, technology merge in Ceramics Program as tool offers students another way to work with clay.
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Turning climate crisis stories into narrative of the future, changed but still beautiful
Rebecca Solnit offers new view of remaking the world, turning climate crisis stories into narrative of the future, changed but still beautiful.
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Playwright Michael R. Jackson urges students to heed ‘tickle’ of muse
Students talk lyrics, character conflict, listening to the muse with Pulitzer, Tony-winning playwright Michael R. Jackson at CompFest.
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3 student playwrights, 3 deeply personal Asian American stories
Inspired by the success of an all-Asian production of “Legally Blonde,” students wrote three new works exploring themes of identity and representation.
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How to write funny
For Cora Frazier, it usually starts with deep sadness
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Combining Earth science, Native knowledge in climate change battle
Combining Earth science, Native knowledge in climate change battle, Margaret Redsteer will draw on her research on tribal lands to discuss barriers and solutions to adaptation, resilience.
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Finding the truth in fiction
Somali-British novelist Nadifa Mohamed is a guest spearker at the Writers Speak series at the Mahindra Humanities Center and the History Seminar.
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Legend of rap hears kinship with Dickinson
During Harvard visit, Public Enemy rapper visits poetry class and donates one of his iconic clocks.
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Gold, clay, and universal forms
The new installation is the first-ever presentation of art on the museums’ outdoor Broadway terrace.
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Tony Kushner on Jewishness, Spielberg, ‘unsafe’ art
Pulitzer-winning playwright reflects on roots, “unsafe” art, working with Spielberg.
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‘This is our block’
Award-winning actress, writer, and producer Issa Rae honored as Artist of Year, capping off annual celebration of cultural diversity on campus.
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Culture belongs to everyone (and no one)
Scholar goes way back in time to better understand arguments we’re having today.
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Blueprints for a live event
At Harvard, cultural historian Harvey Young and playwright Branden Jacobs-Jenkins shared their views on how the arts had changed and what the state of the arts are now.