Arts & Culture

Women in Design, a student group at the Harvard Graduate School of Design (GSD) that aims to increase the visibility of women in the field, kicked off its four-part spring symposium, “Progress in Process,” Thursday night (March 13) with a panel discussion on where women in architecture are now and where they are headed. Department of Architecture Chair Toshiko Mori moderated the event, which was held in Gund Hall’s Piper Auditorium and attracted a crowd of about 150 people — mostly, it was noted by panelists, women.

Manhattan composer Lisa Bielawa is a Radcliffe Fellow this year. Her tiny studio on Concord Avenue is spartan: white walls, a piano, a violin, two chairs, a table strewn with music staff paper. On one side is the glow of a computer. On the other is a single window, with a blur of trees beyond. But the little studio, as Shakespeare wrote of art, is such stuff that dreams are made on. The dream that Bielawa made at Radcliffe this year is “Double Violin Concerto,” a 24-minute composition that premieres in Boston next week (March 29). It pays homage to music’s past by reviving an old form. (Double concertos were last popular in Antonio Vivaldi’s 18th century.)

Harvard and hip-hop. One is the famous university, the other the music style marked by rapping, rhyming, and a synthetic backbeat. Both begin with the letter “h.” Nothing else in common, right? Wrong. Harvard last week (March 13-15) hosted a three-day conference on African hip-hop, a musical style that experts say not only makes audiences move, but that moves audiences — toward education, civic action, and peaceful change.

From Aaron, a former slave without a last name, through Paul Burgess Zuber, a 20th century lawyer and professor, the recently published African American National Biography (Oxford University Press, 2008) is the most extensive and inclusive collection of biographical information about African American lives ever published. The African American National Biography (AANB), co-edited by Henry Louis Gates Jr. and Evelyn Higginbotham, is an eight-volume series that includes biographies of more than 4,000 African Americans throughout 500 years, dating back to the arrival of Esteban, the first recorded African explorer to set foot in North America.

In a fast-paced lecture at the Harvard Graduate School of Design Thursday evening (March 6), Edward Glaeser, the Fred and Eleanor Glimp Professor of Economics, explained what he called the “central paradox” of cities in the postindustrial age.

In the mid-1930s, Milman Parry, a professor in the Department of the Classics at Harvard, traveled throughout Yugoslavia to research and record folk songs. Assisted by his former student Albert Lord, Parry spent 15 months on the road and returned to Harvard with innumerable texts and sound recordings of more than 1,500 epic songs. Their findings now comprise the Milman Parry Collection at Harvard, housed in Widener Library.

The names Mozart, Beethoven, Bach, and Haydn are etched in a ring near the ceiling of Harvard’s Paine Hall. It’s an open question whether these classical masters would have recognized the music performed there last week (March 7-8). But at least one performer is certain that they’d understand.

Heavy rain Saturday night (March 8) caused a large drainpipe to rupture in Pusey Library. More than 500 gallons of water poured into the Harvard Theatre Collection stacks and seeped through the floor, flooding the three levels beneath it. At risk were hundreds of original drawings of costume and set designs, hand-painted theatrical backdrops, and Early American manuscripts and books, including the Emily Dickinson family library from Houghton Library, the University’s rare book depository.

“It’s one of those great moments in Western music. It’s the highest level of the compositional technique of Bach, one of the most difficult [pieces] to sing,” said Jameson Marvin, director of choral activities and senior lecturer on music at Harvard University. Marvin will conduct the Harvard-Radcliffe Collegium Musicum, an undergraduate chorus, along with musicians drawn from the Handel and Haydn Society, in Bach’s Mass in B Minor at Sanders Theatre at 8 p.m.

In conjunction with Harvard’s Arts First festival (May 1-4), Grammy-nominated saxophonist, recording artist, and jazz bandleader Joshua Redman ’91 will receive the 2008 Harvard Arts Medal. President Drew Faust will present the award to Redman, who is the 14th distinguished Harvard or Radcliffe alum or faculty member to receive this accolade for excellence in the arts and contributions to education and the public good.

The new — and, for now, last — exhibit at the Fogg Art Museum, “Long Life Cool White: Photographs by Moyra Davey,” offers a subtle distillation of the mundane into the profound. The retrospective collection of 40 color and black-and-white shots is culled from the artist’s 20-year career and takes its name from a common fluorescent bulb. Like its title, the show includes images of mostly everyday things, taken largely in Davey’s homes over the past two decades.

Zoe Whitley flew in from London last week, and by Friday afternoon (Feb. 29) — going through her notes at a Harvard lectern — she really needed a cup of coffee. Whitley was among more than 15 art scholars, critics, gallery owners, curators, and working artists invited to a public conference Feb. 29-March 1 at the Center for Government and International Studies building on Cambridge Street.

It’s not easy to be a musician in most of the Third World, said legendary Ethiopian composer and musician Mulatu Astatke, who is a 2007-08 Radcliffe Fellow. Music is not typically taught in elementary schools, and in later life, opportunities for musicians are limited by poverty. In Ethiopia “we have beautiful music, beautiful dance, and in general we have a beautiful culture — but little chance to develop,” said Mulatu (Ethiopians are generally referred to by their first names) in a Feb. 27 presentation.

Herbie Hancock radiated coolness — from his hip, all-black attire, to his trademark, slightly tinted glasses, to his deep soulful voice, to his calm, measured delivery. And as unmistakable as his aura of cool was his sincerity. Both qualities and more were on display Friday (Feb. 29) in the junior common room in Kirkland House where the noted musician sat and talked about his career and his thoughts on music and life with about 50 students including members of the Harvard Jazz Band and other musicians.

Music legend Herbie Hancock received the 2008 Cultural Artist of the Year Award from the Harvard Foundation for Intercultural and Race Relations at the organization’s 23rd annual Cultural Rhythms celebration, an afternoon and evening of performances from a diverse cultural mix of 29 student groups. Hancock was feted at the first of two shows (March 1) at Sanders Theatre where it was hard to tell who was having more fun, the performers or the jazz great himself.

Most of us think of the Civil Rights movement as something that took place in the transitional 1950s and the tumultuous 1960s. It’s seen as a cultural artifact squeezed between the defiance of Rosa Parks (1955) and the demise of Martin Luther King Jr. (1968).

Film actor Ray Liotta recently (Feb. 25) visited the Harvard Foundation as a special guest. He met with representatives of several student cultural organizations, including the Harvard Italian-American Cultural Society.

The study of moving images has always been viewed through a wide lens at Harvard. Since the beginning, film studies at the University has sought to incorporate a broad range of disciplines in order to appreciate and understand the visual experience. The rich fields of philosophy, psychology, and the fine arts were all mined early on to examine the medium. Harvard widened its scope recently with the announcement of a new doctoral program in film studies in the Department of Visual and Environmental Studies (VES). The program, its creators said, will build on the University’s eclectic approach to the subject.

Irreverence was the theme of the evening (Feb. 21) as one of the sharp satirical minds behind the nation’s quirkiest cartoon family addressed a rapt audience at Harvard Hillel’s Rosovsky Hall. Mike Reiss ’81, a founding writer of the animated series “The Simpsons,” gave the crowd what they came for with an hourlong stand-up routine peppered with sarcasm and profane punch lines. His younger audience members and their parents, all equally adoring fans, roared their approval.

Pulitzer Prize-winning playwright Tony Kushner will deliver this year’s Tanner Lectures on Human Values, sponsored by the Office of the President and the Department of English at Harvard University. Kushner will speak on the topic “Fiction That’s True! Historical Fiction and Anxiety” on April 9 and 10 at 4:30 p.m. in Lowell Lecture Hall. On April 11 from 10 a.m. to noon, Kushner will lead a seminar with Harvard commentators at the New College Theatre.

“If you wouldn’t tell Stalin, don’t tell anyone else!” In the early years of the Cold War, a billboard near an atomic bomb testing site in New Mexico urged passersby to keep research developments close to the vest. Secrecy was of the utmost importance in that era — and not just in scientific circles — as Americans nervously watched the Soviet Union expand its influence throughout the East.

Long lines at the airport customs desk? Blame those Harvard undergraduates — in the 2006-07 academic year alone, 1,458 students had an international experience of some kind. While summer travel has historically been the most popular option, increasing numbers of undergraduates are choosing to spend a full semester abroad.

The Artist of the Year award will be presented to Herbie Hancock during the Harvard Cultural Festival on Saturday (March 1) in Sanders Theatre. He will receive the award during the afternoon show, which starts at 3 p.m.

Critics say that composer Elena Ruehr – a Radcliffe Fellow this year – makes music that is challenging, natural, intelligent, and socially aware. She brought all of these qualities to a Feb. 13 presentation on the creative process. “From Novel to Opera,” spliced with musical samples and punctuated by laughter, was a low-key discourse on how composers work.

Ask a well-read individual to list the most dangerous books in history, and a few familiar titles would most likely make the cut: Hitler’s “Mein Kampf,” Marx and Engels’ “The Communist Manifesto,” Chairman Mao’s “Little Red Book.”

Actor, dancer, writer, and Academy Award winner Christopher Walken — best known for his big-screen roles as edgy villains — went to pot on Friday (Feb. 15), Hasty Pudding-style.

Three years ago, Big Dig officials approached David Cobb and his staff in the Harvard Map Collection with a request: Help them design a map for the North End parks that would illustrate how Boston had changed in the centuries since its founding. When the parks officially opened in November 2007, not one but seven maps from the Map Collection came to occupy the new parks.

The Harvard University Library (HUL) Open Collections Program recently launched http://ocp.hul.harvard.edu/contagion. Created with support from Arcadia, the new collection, titled “Contagion: Historical Views of Diseases and Epidemics,” brings carefully selected historical materials from Harvard’s renowned libraries, special collections, and archives to Internet users everywhere.

“Yo-Yo Ma was over the house yesterday … he was begging me to go to the piano and play a few notes and I said I wasn’t ready yet.” While the renowned composer John Williams could have uttered those words, last week they belonged to Harvard’s Felix Frankfurter Professor of Law Alan M. Dershowitz, who was discussing his first — opera.

A new best-practices report co-authored by Loeb Music Library staff is drawing national and international attention for its comprehensive and candid approach to the field of audio preservation at both the curatorial and technological levels. “Sound Directions: Best Practices for Audio Preservation” provides solid grounding for institutions pursuing audio preservation, either in-house or in collaboration with an outside vendor.