<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Harvard Gazette</provider_name><provider_url>https://dev.news.harvard.edu/gazette</provider_url><author_name>gazetteimport</author_name><author_url>https://dev.news.harvard.edu/gazette/story/author/gazetteimport/</author_url><title>Music library touts diversity &#x2014; Harvard Gazette</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="0UEtn1BaOS"&gt;&lt;a href="https://dev.news.harvard.edu/gazette/story/2002/02/music-library-touts-diversity/"&gt;Music library touts diversity&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://dev.news.harvard.edu/gazette/story/2002/02/music-library-touts-diversity/embed/#?secret=0UEtn1BaOS" width="600" height="338" title="&#x201C;Music library touts diversity&#x201D; &#x2014; Harvard Gazette" data-secret="0UEtn1BaOS" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://dev.news.harvard.edu/wp-includes/js/wp-embed.min.js
&lt;/script&gt;
</html><description>In a windowless room in the Eda Kuhn Loeb Music Library, David Ackerman sits amid an array of electronic paraphernalia that looks as if it might have been lifted from the bridge of a Klingon starship. The soundproof walls undulate with puckers of dark gray sponge. Intently tracking a sine curve on the computer screen before him, Ackerman lightly touches his keyboard. From somewhere in the darkness, music pulses forth: Duke Ellingtons Sultry Serenade, circa 1947.</description><thumbnail_url>https://dev.news.harvard.edu/gazette/wp-content/uploads/2002/02/15-archive1-450-11.jpg</thumbnail_url></oembed>
