1.0Harvard Gazettehttps://dev.news.harvard.edu/gazettegazetteimporthttps://dev.news.harvard.edu/gazette/story/author/gazetteimport/Linda Nochlin looks at bathers — Harvard Gazetterich600338<blockquote class="wp-embedded-content" data-secret="axEWDxA17f"><a href="https://dev.news.harvard.edu/gazette/story/2004/02/linda-nochlin-looks-at-bathers/">Linda Nochlin looks at bathers</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://dev.news.harvard.edu/gazette/story/2004/02/linda-nochlin-looks-at-bathers/embed/#?secret=axEWDxA17f" width="600" height="338" title="“Linda Nochlin looks at bathers” — Harvard Gazette" data-secret="axEWDxA17f" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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Pierre Auguste Renoirs 1887 painting The Great Bathers, a depiction of voluptuous female nudes cavorting in an idealized woodland pool, has elicited much critical response from art historians, particularly during the past few decades as feminist theory entered the discourse of art criticism.https://dev.news.harvard.edu/gazette/wp-content/uploads/2004/02/13-norton1-450-2.jpg