{"version":"1.0","provider_name":"Harvard Gazette","provider_url":"https:\/\/dev.news.harvard.edu\/gazette","author_name":"gazetteimport","author_url":"https:\/\/dev.news.harvard.edu\/gazette\/story\/author\/gazetteimport\/","title":"The Big Picture &#8212; Harvard Gazette","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qzvyXNERZe\"><a href=\"https:\/\/dev.news.harvard.edu\/gazette\/story\/2001\/04\/the-big-picture-7-2\/\">The Big Picture<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/dev.news.harvard.edu\/gazette\/story\/2001\/04\/the-big-picture-7-2\/embed\/#?secret=qzvyXNERZe\" width=\"600\" height=\"338\" title=\"&#8220;The Big Picture&#8221; &#8212; Harvard Gazette\" data-secret=\"qzvyXNERZe\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/dev.news.harvard.edu\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Walk around and look at everything. Touch things and move things and whatever. Kitty Pechet wants visitors to her studio to experience the artwork to the fullest. Theres a lot to see. Colorful horses canter across a canvas at one end of the huge, bright space and a wash of monochromatic waves is frozen, unfinished on paper, at the other. Many styles and sizes of calligraphy, works in oil, ink, and pastels cover the walls from wide pine floor to sky-lit ceiling. Obstructing a passage from the studio into an adjoining room leans an item that, but for its brightly painted floral design, appears out of place. What is this petite Cambridge calligrapher who teaches art at Harvard Neighbors doing with a giant surfboard looming over the works in her art studio? Spend a few minutes and Pechet is happy to tell about how the wife of the Senior Tutor of Lowell House in 1960 learned how to hang ten in 1990. In this excerpt from a talk she gave at morning prayers at the Memorial Church last month, Pechet explains how she got onboard for the first time at the unlikely age of 50.","thumbnail_url":"https:\/\/dev.news.harvard.edu\/gazette\/wp-content\/uploads\/2001\/04\/05-pechet-450-11.jpg"}